Radio Free Silver Lake Has Moved
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Music coverage by people who actually like music...
by Brad Roberts
What does a person do when faced with choices like these? Plant and Animals, Castledoor and Avi Buffalo at The Echo or Fol Chen, Bodies of Water and Lake at the Echo Curio or Elvis Perkins in Dearland and Tim Eriksen Shape-Note Extravaganza at the Troubadour, not to mention Cursive and Modern Memory at Spaceland and Willoughby at the Silver Lake Lounge.
Fortunately, I got a ticket to Elvis Perkins in Dearland a while ago, before all these other shows popped onto the radar. So I'm committed. But this is getting more and more typical of the emotional contortions you have to go through to make decisions like these. It's a delicious predicament.
I'm enjoying the new Elvis Perkins CD, love the Becky Stark background vocals on the song "Hey" and, having seen him a couple of times before, I'm ready to be impressed. Hope some of you all catch the other shows because every one is well worth your time.
by Laurie Scavo
Since I'm brand new to LA, every venue I shoot is a new adventure. And last night at
Largo at The Coronet for the Neil Halstead show was no exception.
First things first: no bar.
Surprising, since the outside patio in front of the theater is gorgeous – a perfect spot to hang, have a drink, then go inside and catch a show. Yet, for what the Largo at The Coronet lacks in libations, it makes up for in excellent sound coupled
with a true vintage theater experience.
Opening for Neil Halstead was the clever and engaging Zach Gill. A master of all instruments, Gill charmed the audience with his funny lyrics, and left them breathless with his infinite musicianship.
When Neil Halstead took the stage, the venue was comfortably full. Settling in to experience what was sure to be a special evening, the theater went pitch black. Literally. Like hard to see the person next to you. It made the night extremely intimate, and a little sleepy. Sitting in the darkness, it was easy to be lulled to far away places, riding the waves of Halstead’s magical voice and thinking man’s lyrics.
Paint A Face is one of my favorite songs off Halstead’s Oh! Mighty Engine release from LA's Brushfire Records, and hearing it live made me think a little too hard, nearly bringing me to tears:
Buy a ten-dollar camera
Take a picture of everyone
Cause people change
Yeah, they change
Yeah, they're changing everyday
And I don't want to be the one
That you don't recognize
No, I don't want to be the one
The one that's left behind
When the tear thing happens, I remember why I love live music so damn much. The audience agreed, as they BEGGED for an encore for nearly five minutes before the house lights went on. Evidently it was time for a beer, and not another song.
NEIL HALSTEAD:
1) In my opinion, local up and coming songwriter Robert Francis sounds a lot like the The Arcade Fire, and as far as I'm concerned that is not a bad thing, not a bad thing at all. Here's a full length feature and interview with him by former LA DJ Carson Daly. According to Carson Daly, The Hotel Cafe is a pretty cool spot!
Robert Francis on Last Call with Carson Daly (3/5/2009)
2) Remember how Great Northern used to seem to play around LA all the time, and you started taking them for granted and missing their shows? The good news is that they are currently on tour, and will be playing at the very small (cash-only) Silver Lake Lounge on March 16. Here's an excellent song that should get you excited to see Great Northern when they come down south, if the liquor store across the street from the Silver Lake Lounge isn't reason enough.
3) L.A. duo the Bird and the Bee will be returning to LA on March 16 at the Tricot Showroom, located at 843 S. Los Angeles St., Suite #200, along with Haim, The Damn-Sons and [Post-Foetus]. NPR's Fresh Air seems to love the new album. Here's a video off their new album:
4) Ex-orthodox Jews Mad HaPPy are playing at the Pehrspace on March 16. Supposedly they tour the country, while subsisting on food made in a crock pot which is plugged into their car.
5) Elvis Perkins is playing at the Troubadour on March 12. I don't him that well, but am intrigued by the trombone and marching drum in this live performance of his song Doomday...
Bodies of Water - Under the Pines
3) While this guy surely is not new to the LA small-venue scene, 7 years after first seeing him play at Boardners, I haven't tired of the juvenille-but-still-socially-conscious-in-a-way "dance music" performed by Captain Ahab. He's playing at The Smell on March 10, along with Anavan (whom I haven't had the chance to check out live, but have heard described as "the greatest band of all time") and LaCo$te. Not recommended for a quiet (or early) night out (his shows are known to start as late as midnight, or 1), but highly recommended for those looking to be sweat upon by backup "dancer" Jim, dancing til late, and otherwise feeling 19 again. A slightly NSFW video that more closely resembles a live show than you'd think.
4) I totally know this already happened but...in case you happened to not be one of the few who saw Jane's Addiction rock out at the Echoplex a few weeks ago, there's some pretty high quality video of the performance available. From what I can tell, this was a pretty solid performance. For instance: